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 Betreff des Beitrags: What's great about this technique is
BeitragVerfasst: Mo 28. Mär 2011, 01:49 
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Select the top layer and change the blend mode to Difference.
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In this example, I'm using the same exact photo of the tall buildings and the blue sky.
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Double-click on the first streak layer and add an Outer Glow and an Inner Glow layer style to it, using the settings you see here.
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The main thing to remember here is that the color (black or white) that you see on the little thumbnail actually matters.
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That ensures that we create a Shape layer.
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That said, I love using the concept of dodging and burning to really lead a person through a photo by lightening areas I want them to focus on and darkening parts of the photo that I don't.
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In fact, you won't win any prizes for using a bunch of layers to enhance your photos.
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Make sure the top layer is still active and click on the Add Layer Mask icon at the bottom of the Layers panel (circled here).
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Change the Document Size to something really big—like five times what the size is now—then click OK.


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 Betreff des Beitrags: Since you're already there, click on the
BeitragVerfasst: Mo 28. Mär 2011, 02:58 
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Forget about the 27 blend modes and concentrate on just the three you need most.
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I think you'll agree—simple is better.
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Click once on the bottom layer (the original Smart Object layer).
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At this point, you've seen how useful layers are for making adjustments to your images.
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You'll see that the project here works great for creating reusable album pages.
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We could use the Gradient tool again, but that's no fun.
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Always look for the layer that is highlighted in color.
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Use the Move tool (V) to move the top layer, matching up facial features as much as possible.
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Notice how there are two thumbnails on that layer? One is the actual layer thumbnail that gives you a little preview of what is on that layer.


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 Betreff des Beitrags: Since we're starting to build up our
BeitragVerfasst: Mo 28. Mär 2011, 04:11 
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Truthfully, the Overlay blend mode ranks right up there as a contender for the third most popular blend mode.
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Just like you did in Step 6, click on the merged layer to select it.
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The designs you can create with Smart Object layers are not, from a visual aspect, any different from what you could create with regular layers.
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Let's take a break from copying, pasting, and moving for a minute.
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Layer styles are also great for making an object look like it's carved into the surface that it's on.
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Click-and-drag to paint (clone) your source area over the distraction (in this case, the bird).
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If we could, we would have just duplicated the layer before we applied it so we could do our masking now.
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Try to vary each photo so it showcases a different part of the photo—almost making it look like there are three different photos, even though they're actually the same one.
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Since it's a shadow, we only want it to cast in one direction (down and to the right).


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 Betreff des Beitrags: is indeed breaking out of the photo.
BeitragVerfasst: Mo 28. Mär 2011, 05:21 
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The removed wrinkles look really fake, but by dropping the layer opacity down to around 40%-50%, you can strike a good balance between real and fake.
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Since the Clone Stamp tool is a little more finicky than the Healing Brush, we're going to set another sample point to remove the camera.
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The Healing Brush works a little differently than it's little brother, the Spot Healing Brush (which we'll cover in another tutorial).
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Don't forget, as I mentioned in the introduction to the book, I recorded a video that goes over selections (since this book is about layers).
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This panel (added in Photoshop CS4) gives you an easy way to adjust your masks without having to know a lot of the secret handshakes that layer mask users used to memorize.
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Command-click (PC: Ctrl-click) on the layer mask thumbnail to get a selection around the DJ.
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This gives it that classic S-curve shape and gives the photo better contrast overall.
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Just navigate to the PSD that you saved in Step 4, click on it, and choose Open to apply the filter.
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To make it convincing, the graphic needs to bend where the folds are, and it also needs to show some of the shadows and highlights from the t-shirt itself.


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 Betreff des Beitrags: See, some people will see the name of
BeitragVerfasst: Mo 28. Mär 2011, 06:34 
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Here's where you'll learn what the difference is.
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Well, with a regular layer mask, it actually matters where you click on the layer.
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Double-click the layer to open the Layer Style dialog.
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It's probably because there is so much you can do with some simple retouching tools and just a couple of layers.
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Sweet, huh?
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If you ever want to give your text a plastic or watery look, then give this one a try.
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Every panel has a flyout menu associated with it, and the Layers panel is no different.
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Seriously, they are! (Not sucking up anymore, it's true.) Anyway, I remember showing them the photos and they were really appreciative.
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In the previous step, we set the brush opacity to 30%.


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 Betreff des Beitrags: Why are adjustment layers so cool? Let's
BeitragVerfasst: Mo 28. Mär 2011, 07:49 
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If you don't see it, just choose Window>Layers.
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Most people's minds won't be able to pinpoint what's wrong, but they'll know something just doesn't fit.
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You'll see there's a new layer above the Background layer.
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There's one area of blending layers that we haven't looked at yet: the Blend If sliders in Blending Options.
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Click-and-drag another rectangle that intersects with the top right of the first one you created (press-and-hold the Spacebar while clicking-and-drag-ging to move the rectangle as you create it).
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The default settings work fine, so click OK, and you'll see another dialog asking you to Choose a Displacement Map (this is the only filter that gives you two dialogs).
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The first one is the Shape Layers icon, so make sure you click on it to select it.
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Thanks for making me look so good.
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Okay, enough imagining.


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 Betreff des Beitrags: the same thing to the basketball with
BeitragVerfasst: Mo 28. Mär 2011, 10:04 
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So go ahead and open two images that you'd like to combine.
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Before, we used copy-and-paste, but there's another way: you can also click-and-drag images into other documents.
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Then, use the Quick Selection tool (W) to make a selection of the sky and clouds.
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In this case, the woman and her baby seem dark and don't really stand out from the background in the photo.
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Okay, you're ready to paint some highlights in now.
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In order for this to work, we need to create what's called a texture map that emphasizes the folds in the t-shirt.
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They're live effects, so you can add a 4-pixel white stroke around a layer and later decide to go back and make it a 2-pixel stroke instead.
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Press D, then X to set your Foreground color to white, and press Option-Delete to fill that selection with white.
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It knows that the artwork originated in Illustrator and will open it in Illustrator automatically.


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 Betreff des Beitrags: very powerful.
BeitragVerfasst: Mo 28. Mär 2011, 11:10 
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Now for the icing on the cake.
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The next section (2) lists blend modes that have a lightening effect.
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In fact, this is a lot like the soft focus effect in this chapter, but in reverse.
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To you, the readers.
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Click once on the top layer to make sure it is selected, and click on the Add Layer Mask icon at the bottom of the Layers panel to add a layer mask to it.
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If you look at our selection around the soccer player, you'll see it's not perfect.
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You'll notice the adjustment affects the entire image, though.
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Press D to set your Foreground and Background colors to their defaults of black and white.
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Then, reduce the Opacity of the layer to 45%.


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 Betreff des Beitrags: OK.
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If you look at the newly sized image, you'll see the edges are still perfectly crisp and no quality was lost on any Shape or Type layer.
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This effect is a little too much for this image, so reduce the Opacity of that layer to 50% to blend it with the photo below.
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Right after you paste the image, you should see a new layer called Layer 1 appear in the Layers panel right above the Background layer.
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Click once on the top layer to make sure it is selected, and click on the Add Layer Mask icon at the bottom of the Layers panel to add a layer mask to it.
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For the underwater look, I just warped the text (by clicking the Create Warped Text icon in the Options Bar after typing my text).
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Then, change the Blend Mode pop-up menu to Multiply.
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Click on the brush thumbnail in the Options Bar and set the Size to something fairly large, like 150 pixels.
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In order to really take advantage of layer masks, you need to have at least two layers.
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In this tutorial, we'll use the Clone Stamp tool.


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 Betreff des Beitrags: (remember, it's "smart").
BeitragVerfasst: Mo 28. Mär 2011, 13:21 
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Generally, in one photo you'll have one person (or a group of people) looking good.
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Notice how it not only gets darker but appears red, too? Any blend mode that has the word "burn" in it will have just that effect.
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We'll do this with a Photo Filter layer.
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So, click the Filter menu and choose Blur>Surface Blur.
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There are two ways actually.
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Click on the grungy background layer to make it active and use the Rectangular Marquee tool (M) to make a selection of the bottom portion of the layer.
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Click on the bottom half of the curve, and drag it downward (as shown here), then click-and-drag upward in the top half.
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Open the photos that are going to be included on the album page.
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Instead, we'll use a little trick with the Type tool to create a text block.


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