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 Betreff des Beitrags: top (1) lists the blend modes that have
BeitragVerfasst: Fr 18. Mär 2011, 14:07 
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Drop the opacity of the Hue/Saturation adjustment layer if the teeth start to look too white.


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 Betreff des Beitrags: custom shape, but first we need adjust
BeitragVerfasst: So 27. Mär 2011, 16:16 
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With the gradient layer you just created in Step 3 still selected, click on the blend mode pop-up menu in the top-left corner of the Layers panel, and choose Multiply.
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Now, roll your sleeves up and get ready—we've got some really cool stuff ahead.
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What if you need to create a shape but you just can't do it with any of the selection tools? Shape tools can help.
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In Photoshop CS5, you can even apply a filter to a layer and then go back to change the filter settings at any time.
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Switch over to the photo with the nice foreground.
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For example, in Chapter 1, I think the basketball sports poster is a great way to use layers, but I don't shoot basketball, so I used stock photos.
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Make sure All Layers is selected in the Sample pop-up menu in the Options Bar, then Option-click on an area below the old shadow to sample a clean spot.
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Now, grab the Brush tool and set your Foreground color to black and the tool's Opacity to 20%.
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This hides all of the sharpening effects on the sharpened layer and reveals the original layer beneath.


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 Betreff des Beitrags: you'll see the edges are still perfectly
BeitragVerfasst: So 27. Mär 2011, 17:19 
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We'll kick off our greeting card by creating a brand new blank document.
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I mentioned in the introduction to this chapter that there are a lot of blend modes—27 in the Layers panel, to be exact, plus a few more hidden in some other places in Photoshop.
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Click once on the top layer to make sure it is selected, and click on the Add Layer Mask icon at the bottom of the Layers panel to add a layer mask to it.
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Click on the group you just made, then click the Create New Adjustment Layer icon at the bottom of the Layers panel and choose Gradient.
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Reducing it will start to bring back some of the bright sky that we just hid.
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Trust me, this stuff rocks! Once you see how easy it is, I promise you that you'll never go back to that Eraser tool again.
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Go ahead and close this image, but make sure you don't save the changes.
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Before we can turn this into a custom shape, though, we need to turn it into a path first.
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I'm going to go through two examples for each of the three blend modes you'll use the most to help you see what is going on.


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 Betreff des Beitrags: the contrast-enhancing effect of the
BeitragVerfasst: So 27. Mär 2011, 18:19 
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You'll see a WYSIWYG (what-you-see-is-what-you-get) preview of each font installed on your computer on the right side of the menu so you can pick one visually.
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Say you want to work on a flattened layer of the work you've done thus far, but you don't want to actually flatten all of the layers in your Layers panel.
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It's not absolutely necessary, but if you want to follow along with the same image I use in this tutorial, go ahead and open the image I provided.
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In this example, I'd like to place the photo of the snowy mountains inside the man's ski goggles.
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It actually doesn't matter which adjustment layer you use, since we're not actually going to change the settings.
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It tends to leave skin, and colors that are already properly saturated, alone.
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Right after you paste the image, you should see a new layer called Layer 1 appear in the Layers panel right above the Background layer.
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Then, click on the Font Family pop-up menu to show all of your fonts.
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Take a closer look at the top layer (the one with the mask).


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 Betreff des Beitrags: I could never thank you enough for
BeitragVerfasst: So 27. Mär 2011, 19:21 
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Just to demonstrate really quickly, click once on the layer mask thumbnail (not the layer thumbnail) to select it.
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Now select the Brush tool (B) from the Toolbox.
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So, how did this happen? What's the deal? Well, take a look at that little white-and-black thumbnail next to the Levels adjustment layer thumbnail in the Layers panel.
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All of them work with the color of the layer, but the Color mode is one of the most used.
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Double-click on the layer name to rename it.
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If your results are like mine, though, it didn't remove everything.
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Now, take a look over at the Shape layer thumbnail in the Layers panel.
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Repeat Steps 3-5 twice.
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Really, it was just a tiny lie.


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 Betreff des Beitrags: Transform>Warp.
BeitragVerfasst: So 27. Mär 2011, 20:24 
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The default settings work fine, so click OK, and you'll see another dialog asking you to Choose a Displacement Map (this is the only filter that gives you two dialogs).
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No matter what you do here, you won't affect the originals.) Now, notice how the basketball player on Layer 2 totally hides the basketball on Layer 1? That's because Layer 2 is on top of Layer 1.
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Weird coming from an author, right? It's like some committee got together and said that you've got to have an introduction in your book.
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This takes every layer and flattens them together into a new layer at the top of the Layers panel.
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Press-and-hold the Option key and then click on the Add Layer Mask icon at the bottom of the Layers panel.
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No matter what I have on my mind, you always find a way to make me smile.
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It leaves me with less work to do later (you'll see how in a minute).
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Click on the Eye icon next to the top layer to hide it, and click on the ripped image layer.


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 Betreff des Beitrags: It's like an Opacity setting for a layer
BeitragVerfasst: So 27. Mär 2011, 21:28 
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If you recall from the gradient example, the Multiply blend mode drops out all of the white and makes it transparent.
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Each photo is different, but a setting of 8 pixels is good here.
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It'll actually look better that way because of our background.
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Position the new document window and the photo of the basketball player so you can see both next to each other.
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However, it took any of the detailed areas and made them lighter or darker depending on their original color.
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Finally, let's do some dodging and burning (mostly burning to add a light vignette to the background).
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Hide the original (so we have a backup) by clicking on the Eye icon to the left of the layer thumbnail.
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Whenever you work with background elements like fire and smoke, try pressing Command-J (PC: Ctrl-J) to duplicate the layer and intensify the effect, as I did here.
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That'll be your New Background layer (seen here).


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 Betreff des Beitrags: like we did back in Chapter 2.
BeitragVerfasst: So 27. Mär 2011, 22:32 
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Press Command-D (PC: Ctrl-D) to Deselect.
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Now look over in the Layers panel.
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Chances are you'd be duplicating, resizing, and moving several copies of the layers all over the place.
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In this example, the combination of the white balance used and lighting in the room where the photo was taken gave the photo a yellow/green tint.
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Change the blend mode of the new layer to Color Burn.
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Use the Move tool to position it toward the top left of the image, over the basketball net.
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After you make the change, look over in the Layers panel.
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If you had erased those areas away, like we did in Chapter 1, you wouldn't have the flexibility to move and change the layers— you'd have to start all over again.
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Sometimes the sky can look a little too dark, depending on the exposure of the two photos.


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 Betreff des Beitrags: Alt-Backspace) to fill that selection
BeitragVerfasst: So 27. Mär 2011, 23:37 
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As you can see, I'm using a photo of people for this example.
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The Layers panel is starting to grow, so let's keep things organized.
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I also used the V-neck of her shirt as a good reference point to align both layers.
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First off, open the photos that you'd like to combine into one image.
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In this example, the little girl on the bottom isn't looking at the camera.
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That will let you change its Angle independently.
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That's the Tracking setting.
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Go to File>New to create a new document.
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So add a layer mask to the shadow layer.


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 Betreff des Beitrags: that the layer is selected and ready to
BeitragVerfasst: Mo 28. Mär 2011, 00:42 
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You can, of course, do all of this in the Layers panel, but you can also do things right in the Adjustments panel.
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The title to this tutorial definitely doesn't do it justice, but I couldn't think of a better name.
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Everything looks the same, but the DJ is now on his own layer with no mask.
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Set the Position to Inside.
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We're going to start simple with a photo I took in Dubai.
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Now you need to tell Photoshop where to align the layers.
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Let's say you're working on a RAW photo in Camera Raw.
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Aside from a new blend mode (that we haven't worked with yet) and a new style of adjustment layer, all of the techniques use tools you've already seen.
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You can even name this new layer "Healing" if you want to, because that's what we're going to do.


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